Production Insights

The set of “The Mirror and the Light” was abuzz with contrasting energies during filming. Mark Rylance, embodying the complex character of Thomas Cromwell, was seen in deep reflection, while Damian Lewis, in striking gold attire representing King Henry VIII, prepared for his role under the direction of Peter Kosminsky.

This six-part series, which follows the successful “Wolf Hall,” picks up the narrative in 1536, immediately following the execution of Anne Boleyn, played by Claire Foy.

Creative Team and Cast

Maintaining continuity with its predecessor, “The Mirror and the Light” is penned by Peter Straughan and directed by Kosminsky. The series retains a stellar cast, with Rylance and Lewis reprising their pivotal roles, alongside notable British actors such as Alex Jennings and Timothy Spall.

Unlike the previous installment, this series features fewer significant female roles, a factor noted by critics and audiences alike.

Critical Reception and Themes

Upon its debut on the BBC last fall, “The Mirror and the Light” garnered praise comparable to the 2015 series. The opening moments juxtapose Anne’s grim end with King Henry’s preparations for marrying Jane Seymour, highlighting Cromwell’s peak influence and foreshadowing his eventual decline.

Rylance noted that this portrayal of Cromwell is imbued with a darker complexity. Unlike the prior series, where revenge against his mentor’s enemies was central, this new narrative delves into Cromwell’s self-reflection and the guilt he carries.

Challenges in Adaptation

Adapting Mantel’s nearly 900-page novel brought its own set of challenges. Colin Callender, an executive producer, highlighted that various factors, including the pandemic and the passing of the author, contributed to delays. The production’s increased budget also presented hurdles.

Director Kosminsky emphasized the benefit of collaborating with Mantel during the adaptation process, allowing insights into character development and narrative mechanics. Mantel provided extensive notes, enriching the script with her vision.

Cromwell’s Personal Struggles

As the series unfolds, Cromwell’s journey is dramatically laden with personal loss and political turmoil. Rylance shared that Cromwell is portrayed as increasingly isolated, grappling with the ramifications of his decisions and the ruthless environment surrounding him, culminating in rash judgments in the face of mounting challenges.

King Henry VIII’s Development

The characterization of King Henry VIII, as interpreted by Lewis, deviates from the traditional portrayals often seen in popular culture. Described as devout and deeply cultured, this version of Henry grapples with insecurities stemming from a recent riding injury and pressures of performance in both personal and political arenas.

As Cromwell’s influence wanes, the series explores his response to the shifting dynamics of power, particularly after the tragic death of Jane Seymour, and the ill-fated match with Anne of Cleves.

Conclusion

Ultimately, “The Mirror and the Light” contrasts Cromwell’s initial ascent with his gradual estrangement from the royal court. As articulated by Straughan, this series marks a return to Cromwell’s outsider status, echoing Mantel’s sentiment at the conclusion of the novel, highlighting the ephemeral nature of power and identity.