ESG: A Bronx Band’s Journey to Lincoln Center
Introduction
Emerging from the vibrant Bronx music scene of the late 1970s and early 1980s, ESG, a band formed by sisters Renee, Valerie, Deborah, and Marie Scroggins alongside their friend Tito Libran, has carved a unique niche within an eclectic mix of genres. Their sound, a distinctive fusion of punk, funk, hip-hop, and Latin influences, has captivated audiences for decades.
First Performance at Lincoln Center
As ESG prepares for its inaugural performance at Lincoln Center, a venue synonymous with the New York Philharmonic, anticipation builds. Frontwoman Renee Scroggins, speaking from her home in Georgia, expressed her excitement: “This will be the first time I have set foot in the space.” Despite having performed at renowned venues like Carnegie Hall and Barclays Center, this marks a significant milestone in their career.
A Legacy of Joyful Music
The band, whose name stands for emerald, sapphire, and gold, originated with the intent to create music that keeps people moving. “We like to play music that makes people dance,” said Scroggins, emphasizing their commitment to engaging their audience. When crafting their setlist for Lincoln Center, she held firm to a guiding principle: “You should not be sitting in your seat.”
Overcoming Challenges
Despite their infectious energy and innovative sound, the path has not been without obstacles. Scroggins recounted an incident where her sister Valerie faced discouragement from a sound technician who disparaged her drumming style. In another performance, Valerie’s powerful drumming nearly compromised the stage. “Those two stories go hand-in-hand in my mind,” Scroggins reflected, illustrating both the challenges and triumphs they faced.
The Fight for Recognition
Throughout their journey, ESG has struggled with issues of recognition and financial compensation. Despite their influential presence in the music industry, the band did not receive royalties from numerous hits that utilized their music, a situation they highlighted in their 1992 EP titled *Sample Credits Don’t Pay Our Bills*. In a notable incident during a performance of their song “UFO,” Scroggins recalled correcting a young audience member who mistakenly attributed their work to Doug E. Fresh: “I said, excuse me, young man, Doug E. Fresh was doing ESG. Get it straight!” This anecdote underscores their quest for proper acknowledgment.
Independent Spirit
Throughout their career, ESG has remained committed to their artistic vision, opting to stay with independent labels and often self-releasing their music. “The whole course of our career, we stayed on independent labels, if not putting it out ourselves,” Scroggins stated, indicating their desire to maintain creative control over their work.
Conclusion
As ESG embarks on this new chapter with their upcoming performance at Lincoln Center, the band continues to celebrate their rich legacy and passion for making music that resonates. This concert is part of a broader series showcasing various artists, including the anticipated return of French-Chilean rapper Ana Tijoux, marking an exciting culmination of artistic endeavors.
